outsider Dance reviews and commentary
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The language of dance includes a vocabulary that is foreign to most audience members. The communication between choreographers and dancers translates into motions that are written on the air and disappear – hopefully thrilling the audience but confounding our attempts to verbalize what was just seen, reducing us to comments like “I really liked it!” and “What was that about?”
This blog is an attempt, however inadequate, to translate this most ephemeral of the arts into a narrative that will survive the moment. An attempt – by an outsider, someone not in the dance community, to find words that can describe that experience, analyze and attempt to make sense of what was seen, and express the ideas and emotions transmitted by this magical amalgam of motion and music.
Comments may be left on this page or at the bottom of any review. They are welcome and will help inform the work. Complaints should be directed to Angela Rosenkrans at Scottsdale Community College. It was her encouragement, however well intentioned, that is entirely responsible for whatever this is
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The Return of Dracula
Center Dance EnsembleChoreographer: Frances Smith Cohen Everyone loves a good opening. Here, Fran Cohen has given us a great one. The lights come up on the stark, seemingly solo image of Dracula, dramatically lit in all his caped glory. The pulsating, bat-like motions...
The Fallen
Center Dance EnsembleChoreographer: Frances Smith Cohen I think this is a flawed program, to which I had an almost visceral negative reaction. I say that, knowing full well the rest of the audience appeared to love it, be moved by it, and would likely lavish praise...
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